382
Fashion Jobs
CHANEL
High End Client Experience & Engagement Manager
Permanent · TAIKOO SHING
CHANEL
Business Systems Manager – Learning/Collaboration/Talent
Permanent · TAIKOO SHING
CHANEL
Assistant Payroll Manager - HR Business Services, Asia Pacific
Permanent · TAIKOO SHING
CHANEL
Senior Client Engagement Executive
Permanent · TAIKOO SHING
CHANEL
Senior Manager, People Sustainability Reporting
Permanent · TAIKOO SHING
CHANEL
IT Asset Manager, Asia Pacific
Permanent · TAIKOO SHING
CHANEL
Head of Governance & Operations, Asia Pacific
Permanent · TAIKOO SHING
CHANEL
Merchandising Manager
Permanent · TAIKOO SHING
CHANEL
Head of Learning Ecosystem And Retail Learning & Development, Asia Pacific
Permanent · TAIKOO SHING
CHANEL
Sustainability Manager (Sustainable Built Environment), Asia Pacific
Permanent · TAIKOO SHING
CHANEL
Assistant Project Manager, Asia Pacific
Permanent · TAIKOO SHING
CHANEL
Sustainability Reporting Manager, Asia Pacific
Permanent · TAIKOO SHING
CHANEL
Regional Freight Management Manager, Asia Pacific
Permanent · TAIKOO SHING
CHANEL
Regional Business Finance Manager, Asia Pacific
Permanent · TAIKOO SHING
CHANEL
Senior Supply Chain Executive
Permanent · TSING YI
CHANEL
Senior Manager- Indirect Procurement, Asia Pacific
Permanent · TAIKOO SHING
CHANEL
Project Manager, Asia Pacific
Permanent · TAIKOO SHING
CHANEL
Senior Manager, High End Experience And Expertise Development
Permanent · TAIKOO SHING
CHANEL
Assistant Visual Merchandising Manager
Permanent · TAIKOO SHING
CHANEL
Digital Experience Product Manager
Permanent · TAIKOO SHING
CHANEL
People Experience Partner
Permanent · TAIKOO SHING
CHANEL
Senior Merchandising Manager, Asia Pacific
Permanent · TAIKOO SHING
By
AFP
Published
Sep 24, 2014
Reading time
3 minutes
Download
Download the article
Print
Text size

Beehive hair, Mad Men skirts kick off Paris fashion

By
AFP
Published
Sep 24, 2014

PARIS - Nine days of Paris fashion got off to a retro start Tuesday with a 1960s-inspired collection from Corrie Nielsen featuring beehive hair and Mad Men-style looks with futuristic, voluminous twists.

Citing 1960s icons Brigitte Bardot and Jane Birkin as influences, Nielsen dedicated the collection to "the women of the 1960s who shaped and influenced the world as we see it," including her late mother.


Corrie Nielsen. (Photo : Pixel formula) - Photo: Pixel formula


London-based Nielsen said her "Single Girl" ready-to-wear collection was all about a "strong independent and active woman, whilst remaining true to her simultaneous delicacy, adolescence and slenderness".

Plunging hood-like backs, and oversized tops dominated her spring/summer 2015 collection in a palette of off-white, cream, pale yellow, gold and dark brown.

Slimline skirts and dresses plus tweedy-looking two-piece suits with soft, rounded shoulders conjured up the feel of the Mad Men television series in its 1960s phase.

Among the less wearable looks, however, was an entirely transparent dress with nothing more to it than the skimpiest of knickers and a series of futuristic circular padded strips in place of the skirt.

Other futuristic touches included transparent plastic skirt pockets.

- 'Huge respect' -

Elsewhere on Tuesday, Pascal Millet was sporty and relaxed with his "Miami Twist" collection.

For day there were girlish gingham cotton dresses and fluid printed silk ensembles.

For evening the designer went for flowing leather and cotton tulle dresses with transparent skirts worn over tiny shorts.

Millet teamed them with what he called "oh so Palm Beach" tuxedo jackets "to dance all night long in the Miami Beach clubs".

The shows were among the first of over 90 to be held over the next nine days, the highlight of which will be Jean Paul Gaultier's last ready-to-wear show before he stops to concentrate on couture.

Speaking backstage, Nielsen told reporters she had "huge respect" for the flamboyant designer and would be very sad to see him go.

"He's had an incredible career. I mean incredible. He's been a huge inspiration to myself and I wish him all the luck," she said.

The 62-year-old showman of the catwalks is bowing out of ready-to-wear after nearly four decades.

The designer has said the decision was taken after an "in-depth assessment" of his eponymous fashion house's future with Spanish fragrance and fashion group Puig, which has a majority stake.

Gaultier's last ready-to-wear show will be held on Saturday and is fashion week's must-have ticket.

"Everyone will want to be there and I think it's certainly going to be a very moving moment," said Stephane Wargnier, new executive president of the French Federation of Couture.

Other highlights will be first collections by Georgia's David Koma for Mugler and France's Julie de Libran for Sonia Rykiel.

Three names also making their debut in the Paris ready-to wear calendar are Japan's Anrealage, the US's Hood by Air and India's Rahul Mishra.

-'So Palm Beach'-

In recent years Gaultier, considered one of France's most talented designers, has been the subject of a major retrospective by the Museum of Fine Arts in Montreal.

Since 2011, the exhibition has been seen by a million visitors worldwide and is due to arrive in Paris in 2015.

One room in the exhibition is devoted to "Eurotrash", the outlandish adult television show hosted by Gaultier and Antoine de Caunes on Britain's Channel 4 during the 1990s.

The designer said earlier this month that "commercial constraints as well as the frenetic pace of collections" had left him little freedom to explore fresh ideas and innovate.

"The pace is harder than in the past, retail demands several deliveries per season, so we are no longer in an era when one calmly does a collection every six months," Wargnier said.

"It's the way it is in fashion now and everyone adapts in their own way," he added.

by Helen ROWE

Copyright © 2024 AFP. All rights reserved. All information displayed in this section (dispatches, photographs, logos) are protected by intellectual property rights owned by Agence France-Presse. As a consequence you may not copy, reproduce, modify, transmit, publish, display or in any way commercially exploit any of the contents of this section without the prior written consent of Agence France-Presses.